May 5, 2015

Register for the Creative Generations Program in Brisbane

Apply to join the Creative Generations Program in partnership with Bangarra’s Youth Program in Brisbane. Secondary students will participate in an intensive dance based program within the South East Region. The participants will research and gather stories with the help and guidance from Elders, to develop dance, performance and creative skills to produce dance theatre.

This event is Open only to select students in the South East Region, the program will run on the following dates:

Training/Rehearsal Dates:

  • Week 1- 29th June – 3rd July- (Helensvale Cultural Centre) During School Holidays
  • Week 2- 6th July – 10th July- (Logan Entertainment Centre) During School Holidays
  • Week 3- 13th July- (Logan Entertainment Centre) 
Time TBC
  • Week 3- 15th July (Brisbane Convention Centre) 
Show Dates 
Time TBC
  • Week 3- 16th – 17th July (Brisbane Convention Centre) Time TBC

The program culminates in a public showcase in the 2015 Creative Generations where Students will perform to share their cultural learnings with their peers, family, school, Elders, broader community and a live TV audience via Network Ten.

To reserve your students’ participation in this once in a lifetime event, we ask that you identify a contact person with whom we will directly liaise. Each student must complete registration via the link below.

If you require more information on the “Creative Generations- Bangarra Dance Program” please feel free to contact South East Regional Office on 07 3386 4107 or email bob.smith@dete.qld.gov.au

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Registrations close at 3pm, 1 June 2015.

August 1, 2014

Rekindling Youth Program 2014

Bangarra’s Rekindling Youth Program 2014 has now taken place in the communities of Nowra and Wollongong (NSW) and Theodore, Beaudesert and Cairns (QLD). Final gatherings and community performances are coming up for communities and participants in Coffs Harbour (NSW) and Weipa (QLD) in August.
An exciting development for the program, now in its second year, is that in partnership with Feral Arts, a digital Rekindling App has been built to enable sharing between participants and the Rekindling team using digital media. This is an important step for the Rekindling program to ensure connections and shared learning continues beyond the program’s immediate residency in the communities.
The program has received a high level of positive feedback to date from elders, participants, schools and communities.
Rekindling 2014 Beaudesert QLD participants and Rekindling workshop leader Patrick Thaiday photo by Tiffany Parker

Rekindling 2014 Beaudesert QLD participants and Rekindling workshop leader Patrick Thaiday photo by Tiffany Parker

Rekindling 2014 Beaudesert QLD participants and Rekindling workshop leader Patrick Thaiday photo by Tiffany Parker.

Rekindling 2014 Nowra NSW participants and Rekindling workshop leaders photo by Tiffany Parker

Rekindling 2014 Nowra NSW participants and Rekindling workshop leaders photo by Tiffany Parker

Rekindling 2014 Nowra NSW participants and Rekindling workshop leaders photo by Tiffany Parker.

Rekindling-2014-Theodore-Biloela-QLD-participants-photo-by-Tiffany-Parker

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Rekindling 2014 Theodore (Biloela) QLD participants photo by Tiffany Parker.

May 14, 2014

Bangarra Dance Theatre 2013 Annual Report

We’re pleased to share our 2013 Annual Report with you – now available for viewing and download online HERE.

Experience 2013 as it was for Bangarra in this 8 minute video clip tracking the major events for the Company throughout the year. From Vietnam to Arnhem Land, the Sydney Opera House and Theatre Royal in Tasmania, here is a snapshot.

January 28, 2014

Rekindling 2014 registrations are now open

Bangarra invites young people of Aboriginal and/or Torres Strait Islander heritage to register for Rekindling 2014.

This year Rekindling will take place in the NSW communities of Nowra, Wollongong, Lismore and Coffs Harbour and the QLD communities of Theodore, Beaudesert, Weipa and Cairns.

Find out more about Rekindling and the application process HERE

October 4, 2013

Dancers’ Blog: Regional Tour Reflections

Dancers and crew arrived back onto a sunny wharf last week after having a weeks rest from gallivanting all about Victoria and Tasmania. Our Kinship tour was a great success, with many full houses and inspired feedback from theatregoers. Our last stop was the Theatre Royal in Hobart, one of the oldest and most splendid theatres in the country. In addition to performing in such a grand space, we spent our spare time traversing the pretty town, and driving through Tasmania’s lush countryside. In passing Oyster Cove one day, I was transported back to a few years ago, when we brought the Mathinna story back to country in Hobart. The local community in Hobart were overjoyed to have us back, and the touching memories of connecting with mob were revived when we saw them all again. Every time I go to Tasmania I am inspired by the community. They are a strong, resilient and proud people, fighting for the future of their culture every day. We were blessed to teach a large portion of the kids some workshops, and I very nearly broke into tears after one girl, about 14, welcomed us onto her ancestor’s land with a self written and moving welcome. I heard the pride and the tenderness toward her ancestral country, and throughout the rest of the workshop continued to be awe inspired watching the next generation of Tasmanian Aborigines working hard, staying strong and knowing who they are, where they come from, and excited about their future. The community in Tasmania has a lot to teach us all about perseverance and pride, and holding onto the precious thing that sometimes we can take for granted; Culture.

Jasmin Sheppard

Image: Jasmin Sheppard and Hobart workshop participants 2013, photo by Tiffany Parker

May 13, 2013

Dance workshops on tour

 

We wanted to share this great photo of our artists with students from Reservoir High School, Princess Hill Secondary College and Northern College of the Arts and Technology at their workshop at the Arts Centre Melbourne last week. The Company is currently on the road to Wollongong where they have 3 performances of Blak this weekend. You can book tickets for Wollongong here: http://merrigong.com.au/shows/blak.html

November 21, 2012

Dancers’ Blog: ‘of earth & sky’ on the road from WA to NSW

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The West Australian leg of the of earth & sky regional tour is done and dusted. We don’t often have the chance to make the lengthy journey to the other side of the country to dance for the West. Although the entire team continued to battle through more injuries and sicknesses, we put on a few deadly shows in Mandurah, Geraldton, Bunbury and Albany. What a welcome we did receive from our Nyoongar brothers and sisters in every district. Our arrival in each town was anticipated, and the warmth was so heartening. I always forget how far WA is, and at times it felt like we were in a different country, battling mild jet lag and being woken at 5 or 6 am by eastern coast callers, thinking it was a godly hour to call (well it was by western standard time!). Teaching workshops to local kids, and adults for that matter, is always a highlight, and lifts our spirits even when our bodies are struggling to push through the last couple of months of a long and busy year. It is energising to experience the enthusiasm of young budding dancers, and we were especially touched by older dancers also eagerly hanging on our every word and giving of their spirits in our workshop in Albany. The company continues to miss our dearly loved dancers Daniel Riley and Yolande Brown as they recuperate from their injuries in Sydney. Sadly they won’t be dancing with us for the remaining 7 shows. Our Wiradjuri brother Daniel will meet us in Dubbo, but we are all itching for him to be with us in our entire NSW tour, as we tour Wiradjuri country performing Riley, our tribute to Wiradjuri artist Michael Riley. I personally feel very honoured to be bringing this work back to country, and I look forward to meeting community and discovering more of Wiradjuri culture along the way. This will surely enrich my performance in Riley.  

Jasmin Sheppard

September 17, 2012

Dancers’ Blog: From Maree to Mongolia via our nation’s capital

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From Maree to Mongolia via our national capital. That’s been our schedule for the past two weeks and the week coming up. On Saturday we closed our season in Canberra. I have a deep connection to Canberra as I consider it my home town. I don’t have family there anymore, but a few close friends still live there and it’s where my relationship with dance started. A relationship that continues to bloom and blossom with the years. We were all freshly invigorated and re-inspired after our visit out to Lake Eyre last week. After we closed in Adelaide, we boarded a plane to Olympic Dam, then drove two and a half hours on dirt roads to Maree, where we met up with our cultural consultant for TERRAIN, Uncle Reg Dodd. He lives in Maree and runs tours out to the lake, where he tells Aboriginal stories of the lake and it’s surrounding areas. We were very lucky to have him impart his plethora of knowledge on us. It was so inspiring to see and hear him be so utterly involved and knowledgeable of his culture and roots.

The lake itself was beautiful and mystical. As we stepped out onto the earth surrounding the lake, with the sound of crunching salt beneath our shoes, we knew there was something special about this place. The energy and feel of the area with its colourful land made it feel slightly surreal. There was such a stillness or even a sacredness about it. Walking the shores of the lake I gained new inspiration for some of the choreography I perform. The first being Salt, where I represent the salt spirit of the lake and Kaine as my shadow. The salt formations made such beautiful patterns on the earth and sparkled under the sunlight. The crunching of the salt and the crystallised formations it made reminded me of the first passage of choreography where the movement is sharp, angular and twitchy. The salt also made me think of my costume for that section, which is a bolero jacket covered in triangles to make it look as though i have just rose from the salt planes of Lake Eyre and my upper body is crystallised in salt.

While we were out in Maree we conducted workshops for the local community kids from Maree Aboriginal School. As with most workshops we conduct the kids are always a little hesitant one the first day. They try to wrap their head around having to learn choreography and count music, and it sometime seems as though they aren’t having fun, that its work. But a mutual respect was gained by the second day and a lot of fun was had by all. The choreography they learned on the first day seemed to sink deeper into their memories over night, and they seemed to be absorbing more information. To end the workshops we put together everything they had learned as a little performance for some of the community members and local elders to come watch and see what we had all been working so hard so. Tara G, Jasmin, Ella, Amy, Lenny, Waangenga, Kaine and myself felt so fortunate to be able to be apart of the Maree community for those four days. It is such beautiful country out there, the sun rises and sun sets were unlike any I had seen either here in Australia or abroad. We were super proud of the kids and their accomplishments and we hope they take their experience with us into their future.

Now…back to Sydney, for a little under forty eight hours, as early Monday morning we are all convening at the international airport for our trip to Mongolia, via an overnight stop in Hong Kong. This trip seems like it was never going to happen and it has been in the back of our minds, until now. With little time at home, we are thinking about what needs to be packed and what needs to be bought before our trip, and organise our home lives before venturing overseas. Excitement has started to creep up on us, and we are looking forward to the adventure we are about undertake.

 I had a great conversation with a gentleman at the pub in Maree. He said he was proud of us as a company and the way we represent our country, land and culture. First of all I was so surprised that he had heard of us, but he later told me he had seen a show when he was in the city once and has since watched all our YouTube videos. So safe to say he was up to date with our performance programs. I’ll end with what I told him as we were saying our farewells. We don’t take what we do, what and who we represent lightly. We are well aware how important our work overseas is, and are always sure to give Australia good representation, both on stage and off.

Daniel Riley McKinley

August 29, 2012

Dancers’ Blog: Adelaide and Masterclasses

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Adelaide, or Radelaide or A-Town. It’s known by a lot of other names I’m sure. But here we are, bumping into the beautiful old Her Majesty’s Theatre. We have performed in this theatre once before in 2008 when we were regionally touring True Stories. It’s a great theatre with a lot of character, and it always makes for an interesting time getting used to the smaller stage, but it is a treat to look out into the auditorium, with its great chandelier. It’s also great for us to be able to share this work with its home audience, as Frances gained her inspiration from the Arabunna people of South Australia, and their land.

Yolande, Ella, Jhuny and myself conducted a masterclass today at the Adelaide College of the Arts for some dance students there and some high school students from a local school. It’s always such a pleasure to teach and help in the education of students who are choosing to take dance on as a career. I remember being a university student – in their shoes – and being so hungry for other information along with new and different styles and techniques. They were so welcoming and so open to anything and everything we had to say. It was really refreshing to teach them and hopefully give them some more inspiration to get through their training. University can be such a struggle and uphill battle, it feels like some days you’re not going anywhere, you don’t feel the advancement of your own personal technique, like you’re a mouse in a wheel. But once you’re out, and free to go where you choose, train with who you choose, you’ll notice it, and it will be a comfort to know that you have it in your back pocket should you need it. Thank you students at A.C. Arts, you all inspired me today.

Daniel Riley McKinley

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