August 13, 2015

Bangarra is seeking a CRM Manager APPLICATIONS CLOSED

Bangarra is currently seeking a CRM Manager to join our team.

The CRM Manager is responsible for managing, maintaining and optimising the Company’s Customer Relationship Management system, Tessitura.The CRM Manager reports to the Manager, Marketing & Communications and works closely across all departments of the company.

Applications have closed for this position.

 

 

January 27, 2015

Bangarra is seeking an Office & Youth Program Administrator – APPLICATIONS CLOSED

Bangarra is currently seeking an Office & Youth Program Administrator. This is a permanent full time position.

The Office & Youth Program Administrator will be responsible for general office administration as well as assisting the Youth Program and Community Engagement departments.

Applications are closed.

September 10, 2014

Bangarra embarks on its largest regional tour in 2014

In September 2014, Bangarra Dance Theatre will commence its largest ever regional tour of Australia as part of its 25th anniversary celebrations. Read more.

August 1, 2014

Rekindling Youth Program 2014

Bangarra’s Rekindling Youth Program 2014 has now taken place in the communities of Nowra and Wollongong (NSW) and Theodore, Beaudesert and Cairns (QLD). Final gatherings and community performances are coming up for communities and participants in Coffs Harbour (NSW) and Weipa (QLD) in August.
An exciting development for the program, now in its second year, is that in partnership with Feral Arts, a digital Rekindling App has been built to enable sharing between participants and the Rekindling team using digital media. This is an important step for the Rekindling program to ensure connections and shared learning continues beyond the program’s immediate residency in the communities.
The program has received a high level of positive feedback to date from elders, participants, schools and communities.
Rekindling 2014 Beaudesert QLD participants and Rekindling workshop leader Patrick Thaiday photo by Tiffany Parker

Rekindling 2014 Beaudesert QLD participants and Rekindling workshop leader Patrick Thaiday photo by Tiffany Parker

Rekindling 2014 Beaudesert QLD participants and Rekindling workshop leader Patrick Thaiday photo by Tiffany Parker.

Rekindling 2014 Nowra NSW participants and Rekindling workshop leaders photo by Tiffany Parker

Rekindling 2014 Nowra NSW participants and Rekindling workshop leaders photo by Tiffany Parker

Rekindling 2014 Nowra NSW participants and Rekindling workshop leaders photo by Tiffany Parker.

Rekindling-2014-Theodore-Biloela-QLD-participants-photo-by-Tiffany-Parker

Rekindling-2014-Theodore-Biloela-QLD-participants-photo-by-Tiffany-Parker

Rekindling 2014 Theodore (Biloela) QLD participants photo by Tiffany Parker.

June 19, 2014

Patyegarang – extra Sydney shows released!

Due to popular demand and following rave reviews, Bangarra announces six new performances of Patyegarang at the Sydney Opera House, showing until 12 July 2014!

Watch some excerpts of the performance:

'Patyegarang' extra Sydney shows released!

‘Patyegarang’ extra Sydney shows released!

Book tickets for Sydney.

Book tickets for Canberra, Perth, Brisbane and Melbourne.

May 26, 2014

Dancers’ Blog: Patyegarang

Jasmin Sheppard photo by Jess Bialek

Jasmin Sheppard photo by Jess Bialek

It is indeed that time of year again, with only two more weeks until we move into the Sydney Opera House to breathe life into our new show, Patyegarang.

This new program, about the special relationship shared by such an incredible young Eora woman, (Patye), and Lieutenant William Dawes, is forming a deep spirit of its own as we near the end of our creative period.

It’s also been a while since I’ve blogged, and I’m sure this has a lot to do with the energy of Patyegarang nearing me and taking me on her journey. The immense responsibility of portraying her with honesty is on me and I so very much desire to discover who she was, this young Sydney woman of confidence, proud of her people, knowledgeable in her culture and familiar with the most intricate parts of her homeland, the place we call Sydney.

I feel almost as if she has been leading me through her story, enveloping me with her energy, and revealing new parts of herself as we have delved deeper into the story. All I can say at this point in time is: What a woman! And what an incredible trip through history!

I feel reluctant to reveal too much, and prefer to let Patyegarang do a little more of the leading to bring us right through to opening night.

- Jasmin Sheppard 

February 25, 2014

‘Patyegarang’ tickets on sale!

Tickets for our new production Patyegarang choreographed by Stephen Page are now on sale in all venues that are part of the 2014 national tour: Sydney Opera House, Canberra Theatre Centre, State Theatre Centre WA Perth, QPAC Brisbane and Arts Centre Melbourne. Come behind-the-scenes of our studio through this video clip and find out more about Patyegarang.

Image: Jasmin Sheppard & Thomas Greenfield, Patyegarang, photo by Greg Barrett

January 28, 2014

Rekindling 2014 registrations are now open

Bangarra invites young people of Aboriginal and/or Torres Strait Islander heritage to register for Rekindling 2014.

This year Rekindling will take place in the NSW communities of Nowra, Wollongong, Lismore and Coffs Harbour and the QLD communities of Theodore, Beaudesert, Weipa and Cairns.

Find out more about Rekindling and the application process HERE

November 14, 2013

Dancers Blog: From Dancer to Choreographer

We are here: tech week in our snug theatrette at Bangarra studios on the Wharf. The last 6 or so weeks have been a journey down an entirely new path for myself, Tara Gower, Yolande Brown and Deborah Brown. Our initiation into the role of choreographer has filled our beings with fresh challenges. Each one of us has taken on a unique way to create, finding what makes us peculiar in the rehearsal room whilst working with our peers on our own stories. Although we may have created works in the past, working on Dance Clan 3 is something special in an entirely different way. We are so lucky to have dancers such as our company members to create on and watch our imaginations come to life. I treasure each one all the more after this process, and it is all the more inspiring to walk into the studio and be greeted with an eager desire to help tell your story, realise your vision and work hard to achieve the best result. Expelling the story from my own brain to the dancers helps me relieve my own creative anxiety. Some times it feels as though every spare corner of my brain is being utilised, information pressed into every nook and cranny. Thank goodness I’ve had the chance to just relax and also work to realise the vision of Yolande and Deborah by just being able to step back into the role of a dancer.

I can’t believe we are here already. I am nervous and excited to see the unfolding of the completion of my first work, ‘Macq’, but untill opening night, the journey continues on, tweaking and refining our works, the constant process of evolution!

Jasmin Sheppard

Image: Jasmin Sheppard, Dance Clan 3 rehearsals 2013, photo by Anna Warr

October 21, 2013

Dancers’ Blog: On A Creative Journey

Four women have plunged themselves into a realm of storytelling, and we are almost a month into the creative development process of Dance Clan 3, a company work that will present its season as a part of Sydney’s first Corroboree festival in November. Myself, Yolande Brown, Tara Gower and Deborah Brown are contributing to the new work, with four stories hailing from all over the country. The Torres Strait, the Central Desert, the Kimberly and our home base of Sydney all have rich history, and hidden stories to reveal. Our goal is to share these stories from each of these places, and take the audience on a diverse journey. So far we are all finding our way through the choreographic process, discovering how we work with the dancers in the studio, and what kind of choreographers we may be. This process is a personal journey of discovery, and will no doubt uncover the hidden gems each one of us possess in our creative inner worlds. I am finding parts of my mind are awakening with inspiration, and the challenge is to switch off and stop thinking about what I would like to experiment with the very next day. I feel privileged to have been given this opportunity from the nurturing platform of our home at Bangarra, to find my choreographic self, and also blessed to tell this story through the incredibly talented dancers that I share the stage with. More to come…

Jasmin Sheppard

October 4, 2013

Dancers’ Blog: Regional Tour Reflections

Dancers and crew arrived back onto a sunny wharf last week after having a weeks rest from gallivanting all about Victoria and Tasmania. Our Kinship tour was a great success, with many full houses and inspired feedback from theatregoers. Our last stop was the Theatre Royal in Hobart, one of the oldest and most splendid theatres in the country. In addition to performing in such a grand space, we spent our spare time traversing the pretty town, and driving through Tasmania’s lush countryside. In passing Oyster Cove one day, I was transported back to a few years ago, when we brought the Mathinna story back to country in Hobart. The local community in Hobart were overjoyed to have us back, and the touching memories of connecting with mob were revived when we saw them all again. Every time I go to Tasmania I am inspired by the community. They are a strong, resilient and proud people, fighting for the future of their culture every day. We were blessed to teach a large portion of the kids some workshops, and I very nearly broke into tears after one girl, about 14, welcomed us onto her ancestor’s land with a self written and moving welcome. I heard the pride and the tenderness toward her ancestral country, and throughout the rest of the workshop continued to be awe inspired watching the next generation of Tasmanian Aborigines working hard, staying strong and knowing who they are, where they come from, and excited about their future. The community in Tasmania has a lot to teach us all about perseverance and pride, and holding onto the precious thing that sometimes we can take for granted; Culture.

Jasmin Sheppard

Image: Jasmin Sheppard and Hobart workshop participants 2013, photo by Tiffany Parker

September 3, 2013

Dancers’ Blog: ‘Kinship’ Regional Tour 2013

We are two weeks into our Kinship regional tour of Victoria and Tasmania. On our very first day we were welcomed onto Wathaurong land by the community on the Bellarine Peninsula, Geelong. Acknowledgement by the local mob brings a sense of unity and purpose to our performances and to touring itself. We are more than a dance company, we are a thread of Indigenous people from all across the country, and it is important to recognise where we are and also bring something of ourselves to the communities where we visit. The Wathaurong people are part of the great Kulin Nation, which spans Melbourne, its outer regions and central Victorian districts. The Kulin Nation are protected by their creator, Bunjil the eagle. Bunjil is the God figure of the all the tribes within the Kulin Nation, he is the protector and came to the people in the eagle form. Throughout this tour we spend a great deal of time in Bunjil’s territory. We recently performed in Dandenong, the traditional land of the Wurundjeri, also a tribe of the great Kulin Nation. I myself grew up in Frankston, outer Melbourne, traditional land of the Boon Wurrung people, and I feel like my own childhood and life there by the bay was protected and looked over by the spirit of Bunjil. We will be touring there this a week, and then returning to Wurundjeri land when we perform in Nunawading. Our performances have been successful so far on this regional tour, and I thank the spirit of Bunjil for watching over us as we perform throughout his country, and in addition I thank him for watching over me throughout all my life, up until the point where I left to follow my love of dance in Sydney.

Jasmin Sheppard 

Image: Kathy Balngayngu Marika, Yolande Brown, Leonard Mickelo & Deborah Brown in Brolga from Kinship 2013, photo by Greg Barrett.

August 2, 2013

Dancers’ Blog: Our ‘Blak’ Journey

So our Blak journey has come to a close, for now. We concluded this wonderful season in Brisbane, home city to many of the dancers and our dear Artistic Director, and also home to family and friends of us all. It became quite poignant performing such personal stories to the ones who know us best; family, and this is what makes Bangarra such an important company. A sense of family is a constant thread woven through our expression of culture, the stories we tell, our respect for one another, and our desire to move with our people into the future whilst respecting where we have come from as Indigenous people. This is the strong basis of our dancing, and the driving inspiration to continue to work hard at our technique and to show up every day with the aim to improve and evolve. This strong tie is what gives us the inspiration to push further even though our bodies may feel tired or injured, and even when we would love to have a few extra hours sleep. The response from Brisbane audiences reiterated to us that our personal stories have rich meaning, and when we perform a story from our hearts and personal experience, you can move people, create change, provoke thought and inspire. I think our entire season of Blak achieved this.

So now we are back in our studios on the Wharf, where we are rehearsing and turning our focus toward our regional program, Kinship. A culmination of two works, Brolga, and ID, the shift in focus brings us new inspiration as we say goodbye for now to Blak, and the fantastic journey that it took us on.

Jasmin Sheppard

Image: Jasmin Sheppard 2013, photo by: Greg Barrett

July 2, 2013

Dancers’ Blog: Sydney comes to a close

The Sydney Opera House season has come to a close. Over the past three weeks we have been blessed with almost all of our shows sold out, including the twilight 6.30pm shows on a Tuesday. What passionately dedicated audiences we have had! And what encouragement we have felt as a company, that even though the drab, wet and cold weather has not deterred people from braving the elements to enjoy our stories. Blak has been so far described as a breath of fresh air, a moment gone too fast, but a lesson in being in the present moment, a personal journey, a witness to a tightly knit family of dancers and their stories, a passionate experience. From my experience in performing Blak, I feel overwhelmed that our vision and desire to move people through our personal stories has been more than successful. There truly is a lot of ‘us’ in this show. Together with the genius of Stephen Page and Daniel Riley McKinley, I believe we have achieved our goal with the show; to touch people, to give them a glimpse of what it is like for us in our every day lives finding ourselves as men, women, Indigenous people, people of the city, with origins from all over the country (remote places and highly populated places) and the issues that we face in finding our identity through such colourful backgrounds. These stories are just a fragment of what young Indigenous people of this country face, but I do hope they have shed light on us, the next generation of Indigenous youth.

Jasmin Sheppard

May 20, 2013

Dancers’ Blog: ‘Blak’ from Melbourne to Wollongong

Blak was entirely fresh and raw when we opened in Melbourne, but although we felt incredibly nervous, our audience was more than supportive and encouraging.

When we finally perform the premier of any show, it’s akin to an enormous exhale after holding one’s breath for weeks on end. The night before had a little more comfort to offer us in our state of anxiety; Koorie Community Night in Melbourne!! The familiar faces and unconditional love of our mob gave us the extra push to get us through till the last dance on opening night. And the show is definitely up and running now! Like a baby it grows, evolves, changes, and feels more settled into life on the stage after birth. We have a lengthy season ahead of us, and thus I feel very fortunate to have the opportunity to see where I can go within this work.

Deep in thought the other day I pondered on the time when I performed in smaller scale productions and only had one or two week long seasons. It was the ultimate ideal (and still is) to have the show at its very best from the first performance. Though we strive for that now, I get a chance to discover what is possible for Blak. We have just arrived in Wollongong and here is our new chance to grow along with Blak. Time to hone in on rehabilitation for bodies that are now rested and recovering from injuries, and time to give to the wonderful crowds here in the ‘Gong…always a pleasure to be at IPAC!

                                                                                                                 Jasmin Sheppard

Image: Jasmin Sheppard in Yearning from Blak 2013, photo by Greg Barrett

 

May 20, 2013

Dancers’ Blog: Opening Night Nerves

I sat sweltering in the oddly summery Sydney weather as the sun’s rays were magnified through the floor to ceiling windows of Qantas domestic airport. I had shed a few layers of clothing to cope with the heat, but knew that when I disembarked in Melbourne I’d have to replace the layers and brave the crispy southern wind that blows right to your bones. I am a Melbournite by origin so I packed my woollies and my good spirits for the week, and the premiere of Blak at the Arts Centre.

A week before leaving for Melbourne our stress levels were through the roof. We had so much yet to choreograph, and my brainpower was beginning to wilt. By the last Saturday however, we had finished choreographing the last parts of the show and, with little if not any hiccups, we satisfied our worries by doing a complete run of the show. So much can change with a few days! I had been losing sleep with anxiety, trying to hold on to that faith and trust in my choreographers that I spoke of in my last entry, but it was fading with my own doubts and my failing mental capacity to retain choreography! After our first full run, I was filled with a renewed positive outlook. I should have taken my own advice – trusted that is would all come together in the end, because it did.

We had a huge week ahead of us, but the stress of long hours and nervousness I felt for opening night couldn’t swamp my excitement for performing a show that I truly believe in!

                                                                                                                 Jasmin Sheppard

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