November 11, 2013

Dance Clan 3 Q&A with Stephen Page and the Choreographers

WHEN Saturday 23 November at 6pm
WHERE Corroboree Cinema, Mezzanine Level of Pier 2/3
REGISTER HERE

Join us behind-the-scenes on 23 November at 6pm in a Q&A session with Artistic Director Stephen Page and Dance Clan 3 choreographers Deborah Borwn, Yolande Brown, Tara Gower and Jasmin Sheppard. Bangarra’s artists will discuss their creative inspirations and answer your questions about their choreographic processes and connections to traditional culture.


August 2, 2013

Dancers’ Blog: Our ‘Blak’ Journey

So our Blak journey has come to a close, for now. We concluded this wonderful season in Brisbane, home city to many of the dancers and our dear Artistic Director, and also home to family and friends of us all. It became quite poignant performing such personal stories to the ones who know us best; family, and this is what makes Bangarra such an important company. A sense of family is a constant thread woven through our expression of culture, the stories we tell, our respect for one another, and our desire to move with our people into the future whilst respecting where we have come from as Indigenous people. This is the strong basis of our dancing, and the driving inspiration to continue to work hard at our technique and to show up every day with the aim to improve and evolve. This strong tie is what gives us the inspiration to push further even though our bodies may feel tired or injured, and even when we would love to have a few extra hours sleep. The response from Brisbane audiences reiterated to us that our personal stories have rich meaning, and when we perform a story from our hearts and personal experience, you can move people, create change, provoke thought and inspire. I think our entire season of Blak achieved this.

So now we are back in our studios on the Wharf, where we are rehearsing and turning our focus toward our regional program, Kinship. A culmination of two works, Brolga, and ID, the shift in focus brings us new inspiration as we say goodbye for now to Blak, and the fantastic journey that it took us on.

Jasmin Sheppard

Image: Jasmin Sheppard 2013, photo by: Greg Barrett

July 2, 2013

Dancers’ Blog: Sydney comes to a close

The Sydney Opera House season has come to a close. Over the past three weeks we have been blessed with almost all of our shows sold out, including the twilight 6.30pm shows on a Tuesday. What passionately dedicated audiences we have had! And what encouragement we have felt as a company, that even though the drab, wet and cold weather has not deterred people from braving the elements to enjoy our stories. Blak has been so far described as a breath of fresh air, a moment gone too fast, but a lesson in being in the present moment, a personal journey, a witness to a tightly knit family of dancers and their stories, a passionate experience. From my experience in performing Blak, I feel overwhelmed that our vision and desire to move people through our personal stories has been more than successful. There truly is a lot of ‘us’ in this show. Together with the genius of Stephen Page and Daniel Riley McKinley, I believe we have achieved our goal with the show; to touch people, to give them a glimpse of what it is like for us in our every day lives finding ourselves as men, women, Indigenous people, people of the city, with origins from all over the country (remote places and highly populated places) and the issues that we face in finding our identity through such colourful backgrounds. These stories are just a fragment of what young Indigenous people of this country face, but I do hope they have shed light on us, the next generation of Indigenous youth.

Jasmin Sheppard

June 11, 2013

Dancers’ Blog: ‘Blak’ in Sydney

The Bangarra dancers have just emerged from two weeks back home in our little creative cave, the studios on the wharf, where we have had the much needed time to pay attention to our bodies, regaining strength and energy, and resting those parts of the body affected by repetitive strain. We also had the pleasure of changing our focus to the regional tour program Kinship, rehearsing Brolga undergoing some sort of metamorphosis, melting into a flock of birds. The process is treasured especially by those of us who have birds as traditional totems, mine is the black cockatoo so to be a bird must be deep within me somewhere!

We spent most mornings running Blak, and I found that running the show repetitively but without performance quality made me focus more on my execution of the movements. In addition, the extra time out of the theatre encouraged most of us to spend extra time strengthening and stretching our bodies, giving that never ending reach for perfection in technique a little attention. I must say that Robert Curran, with his wealth of ballet knowledge, and general understanding of the body, has prompted a physical change in all of us – we are on the road to a better understanding of our dancing bodies!

The focus shifted last week, however, as we prepared for the Sydney opening night last Friday. We are back at the Opera House and the familiarity is wonderful. We settle in, and sink back into our Opera House routine. It is very special to perform to Sydney city, the town that has been home to the company since its birth. So it’s heads down tails up as we work hard to make Blak a beautiful soul experience for our audiences at the Drama Theatre.

Jasmin Sheppard 

Image: Jasmin Sheppard, Yearning from Blak 2013, photo by Greg Barrett

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